Eduardo Chillida - original vintage lithograph - c1982

This is an absolutely stunning original (not an offset print) vintage lithograph by Eduardo Chillida. The lithograph is produced on high quality paper and was published in 1982 by Derrière le Miroir, in their volume No. 250 entitled 'Hommage a Marguerite et Aime Maeght'. Our photo is good but does not come close to capturing the full beauty of the colours - lithography at its best (please scroll down for an explanation of the lithographic process and for a biography of the artist).

The lithograph has never been framed. It has been stored in appropriate conditions as part of a serious private collection. It was acquired when published and has not changed hands since.

This lithograph would sell for around £650, and often more, in London galleries, which makes our price incredibly good value, especially since it is an opportunity to acquire the lithograph from one original owner. Please see our other items for more vintage lithographs.

This beautiful lithograph comes from the private collection of Stephen Baring. The collection comprises two inherited collections plus twenty five years of personal collecting.

BIOGRAPHY
Eduardo Chillida (1924 - 2002) was a Spanish sculptor. With a background of working in gypsum and clay, in 1949 Eduardo Chillida began working on iron sculptures during a sojourn to Paris. Upon his return from Paris Chillida settled in the Spanish town of Hernani, where he produced his abstract sculpture "Llarik" in 1950. This sculpture reflected his views on sculptural art, with the space being the focus of attention.

During the following years this idea of the limitations of space permeated his sculptural oeuvre more and more. His graphic art also reflects parallels. Over the following years Eduardo Chillida became a renowned sculptor and graphic artist. Alongside numerous international exhibitions, his works were presented at several "documenta" exhibitions and Biennales. In 1958 he was awarded the Grand Prize for Sculpture at the Venice Biennale. Two years later he received the Kandinsky-Prize. Further international awards followed. In 1980 the New York Guggenheim Museum showed a retrospective of his work. With his oeuvre Chillida became one of the most important sculptors, who produced their objects in a concrete style. The homogeneous material and the division into figure shapes is characteristic of his sculptural work.

LITHOGRAPHY
A lithograph is not just a cheap mass produced print. The process dates from 1796 and is far more complicated and therefore valuable. Lithography is a method for printing using a stone (lithographic limestone) or a metal plate with a completely smooth surface. Invented in 1796 by German author and actor Alois Senefelder as a method of publishing theatrical works, lithography can be used to print text or artwork onto paper or other suitable material.

Lithography originally used an image drawn (etched) into a coating of wax or an oily substance applied to a plate of lithographic stone as the medium to transfer ink to a blank paper sheet, and so produce a printed page. In modern lithography, the image is made of a polymer coating applied to a flexible aluminium plate. To print an image lithographically, the flat surface of the stone plate is roughened slightly etched and divided into hydrophilic regions that accept a film of water, and thereby repel the greasy ink; and hydrophobic regions that repel water and accept ink because the surface tension is greater on the greasy image area, which remains dry. The image can be printed directly from the plate (the orientation of the image is reversed), or it can be offset, by transferring the image onto a flexible sheet (rubber) for printing and publication.

A beautiful and valuable lithograph that will be much admired framed in your home or office. Will provide an excellent financial investment as well as a possession to enjoy. You are welcome to return for a full refund if you are not entirely happy. Also, please feel free to view at our central London showroom.