Subtitle: | signed by the artist - authentic - excellent condition |
Product ID: | 563ART |
Artist: | Andre Masson (1896-1987) |
Nationality: | French |
Type: | Ink and paint on paper |
Date: | Mid 20th Century |
Signed: | Signed by the artist |
Subject: | Surrealist |
Size: | 12 inches x 9.2 inches |
Condition: | Excellent - no creases or tears. One original uneven address |
Highest Price at Auction: | $3,125,485. Sotheby's Paris 'Impressionist & Modern Art' in 2010 |
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This is an original signed drawing/painting by Andre Masson (1896-1987), the famous French surrealist artist, who should need no introduction. The work is guaranteed to be authentic and as with most surrealist paintings, unusual. It is in excellent condition for its age, with no tears or creases, and is drawn using ink and paint on brown paper. Will look wonderful properly framed.
It is difficult to put a value to an original work by a famous artist. There is in truth no precise value; it all depends on auction competition. It is a reluctant sale, so we have put a price on it that we are prepared to sell for and well below the price it might sell for at the right auction. It may well achieve a higher price at a specialist auction but that cannot be guaranteed. It will certainly provide a very strong financial investment as original works by famous artists of the past will only continue to increase in value. It is interesting to note that the prices for art at auction have risen significantly during a time of global recession.
Provenance
Private collection of Stephen Baring. Collection includes two inherited collections and twenty five years of personal collecting. The collection numbers well over 1,000 works of art and a number will be sold over the coming weeks to fund a project.
"The piece comes from my grandfathers collection, which I inherited, and comes complete with a statement of authenticity." Stephen Baring.
Biography
Masson was born in Balagny-sur-Thérain, Oise, but was brought up in Belgium. He began his study of art at the age of eleven in Brussels, at the Académie Royale des Beaux-Arts under the guidance of Constant Montald, and later he studied in Paris. He fought for France during World War I and was seriously injured.
His early works display an interest in cubism. He later became associated with surrealism, and he was one of the most enthusiastic employers of automatic drawing, making a number of automatic works in pen and ink. Masson would often force himself to work under strict conditions, for example, after long periods of time without food or sleep, or under the influence of drugs. He believed forcing himself into a reduced state of consciousness would help his art be free from rational control, and hence get closer to the workings of his subconscious mind. Masson experimented with altered states of consciousness with artists such as Antonin Artaud, Michel Leiris, Joan Miró, Georges Bataille, Jean Dubuffet, and Georges Malkine, who were neighbors of his studio in Paris.
From around 1926 he experimented by throwing sand and glue onto canvas and making oil paintings based around the shapes that formed. By the end of the 1920s, however, he was finding Automatic drawing rather restricting, and he left the surrealist movement and turned instead to a more structured style, often producing works with a violent or erotic theme, and making a number of paintings in reaction to the Spanish Civil War (he associated once more with the surrealists at the end of the 1930s).
Under the German occupation of France during World War II, his work was condemned by the Nazis as degenerate. With the assistance of Varian Fry in Marseille, Masson escaped the Nazi regime on a ship to the French island of Martinique from where he went on to the United States. Upon arrival in New York City, U.S. customs officials inspecting Masson's luggage found a cache of his erotic drawings. Denouncing them as pornographic, they ripped them up before the artist's eyes. Living in New Preston, Connecticut his work became an important influence on American abstract expressionists, such as Jackson Pollock. Following the war, he returned to France and settled in Aix-en-Provence where he painted a number of landscapes.
Masson drew the cover of the first issue of Georges Bataille's review, Acéphale, in 1936, and participated in all its issues until 1939. His stepbrother, the psychoanalyst Jacques Lacan, was the last private owner of Gustave Courbet's provocative painting L'Origine du monde (The Origin of the World); Lacan asked Masson to paint a surrealist variant.
A genuine original painting by a famous listed artist that will be much admired in your home or office. Will provide an excellent financial investment as well as a possession to enjoy. You are welcome to return for a full refund if you are not entirely happy. Also, please feel free to view at our central London showroom.